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Garrett Bradley, America

Garrett Bradley, America (still), 2019. Multi-channel video installation; 35mm film transferred to video: black and white, sound, 23:55 minutes. Image and work courtesy the artist and Lisson Gallery.

Garrett Bradley: American Rhapsody

Garrett Bradley: American Rhapsody is the first solo museum presentation of the work of Los Angeles- and New Orleans-based artist and filmmaker Garrett Bradley. Bradley works across narrative, documentary, and experimental modes of filmmaking to address themes such as race, class, familial relationships, social justice, southern culture, and the history of film in the United States. Employing a collaborative and research-based approach to filmmaking, Bradley explores the space between fact and fiction, embracing modes of working and of representing history that blur the boundaries between traditional notions of narrative and documentary cinema. The exhibition features a selection of recent single and multi-channel films and videos, including America (2019), in which Bradley constructs a visual archive of early African American cinema and poignantly asks what it might mean to model a history of black visuality and representation that privileges depictions of pleasure over spectacles of pain.

Admission to Garrett Bradley: American Rhapsody is free as part of MOCA’s Art for All initiative.

Garrett Bradley: American Rhapsody is organized by Contemporary Arts Museum Houston (CAMH) and curated by Rebecca Matalon, CAMH Curator.

The Los Angeles presentation is organized by Anna Katz, Curator, with Anastasia Kahn, Curatorial Assistant, The Museum of Contemporary Art, Los Angeles.

Exhibitions at MOCA are supported by the MOCA Fund for Exhibitions with major funding provided by The Offield Family Foundation and generous funding provided by Judith Angerman, Earl and Shirley Greif Foundation, Nathalie Marciano and Julie Miyoshi.