1st Artistbook International Paris 1995. Exh. cat. Paris: ABI, 1994.
2nd Artistbook International New York 1995. Exh. cat. Paris: ABI, 1995.
3rd Artistbook International Cologne 1996. Exh. cat. Paris: ABI, 1996.
4th Artistbook International New York 1997. Exh. cat. Paris: ABI, 1997.
Alberro, Alexander, and Patricia Norvell, eds. Recording Conceptual Art. Berkeley: University of California Press, 2001.
Alexander, Charles, ed. Talking the Boundless Book: Art, Language and the Book Arts. Minnesota: Minnesota Center for Book Arts, 1995.
———. “Centering the Art (Arts?) of the Book.” M/e/a/n/i/n/g, no. 17 (May 1995): 21–26.
Alloway, Lawrence. “Artists as Writers, Part Two: The Realm of Language.” Artforum (April 1974): 30–35.
American Narrative/Story Art 1967–1978. Houston: Contemporary Arts Museum, 1978.
Antolini, Roberto, F. Azari, and Fortunato Depero. Libri taglienti, esplosivi e luminosi: Avanguardie artistiche e libro fra futurismo e libro d’artista. Rovereto, Italy: Nicolodi, 2005.
Antonetti, Martin. “The Grolier Club, New York.” Bookways (January 1992): 17–22.
Art Is Book. Exh. cat. Hasselt, Belgium: Provinciale Centrale Openbare Bibliotheek; and Wellen, Belgium: The Administration Centre, 1991.
Art Papers 6, no. 21 (1997).
Art Papers 14, no. 3 (May–June 1990): 2–20.
Art-Rite, no. 14 (winter 1976–77). Special issue: Artists’ Books.
The Artist Turns to the Book. Los Angeles: Getty Research Institute, 2005.
Artwords and Bookworks. Los Angeles: Los Angeles Institute of Contemporary Art, 1978.
Artists’ Books. Exh. cat. Brisbane, Australia: Grahme Galleries and Editions, 1991.
Artists’ Books. Exh. cat. Manchester, England: Manchester Metropolitan University Library, 1993.
“Artists’ Books.” Artweek 26, no. 1 (January 1995): 16–26.
“Artists’ Books.” Art Review 47 (November 1995): 43.
