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| A MINIMAL FUTURE? ART AS OBJECT 1958-1968 |
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| 03.14.04 - 08.02.04 |
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A Minimal Future? is the first large-scale historical examination in America to examine the emergence of minimal art in the late 1950s to 1960s. It focuses on work produced by 40 influential American artists, including sculptures, paintings, and photographs, and occupies the entire MOCA at California Plaza location.
One of the most significant art movements of the 20th century, minimal art is presented as a constellation of dialectical practices about the structure, form, material, production, and function of the artwork and its relationship to space and to the spectator. The exhibition is organized by Senior Curator Ann Goldstein and is accompanied by a fully illustrated catalogue.
A Minimal Future? Art as Object 1958-1968 is made possible by the support of The Sydney Irmas Exhibition Endowment; Audrey M. Irmas; the Henry Luce Foundation; Maria Hummer and Bob Tuttle; Genevieve and Ivan Reitman; The Andy Warhol Foundation for the Visual Arts; the National Endowment for the Arts; Bank Julius Bär; Kwon Family Foundation; The Jamie and Steve Tisch Foundation; The MOCA Projects Council; Donald Bryant; The Capital Group Companies; Susan and Larry Marx; Betye Monell Burton; Mary and Robert Looker; the Pasadena Art Alliance; the W.L.S. Spencer Foundation; Kathi and Gary Cypres; Frances Dittmer Family Foundation; Dwell; and the Fifth Floor Foundation.
Promotional support is provided by KJAZZ 88.1 FM.
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